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Saturday, 12 June 2010

The Masses

The Masses was founded in New York in 1911 by Piet Vlag, a Christian socialist. Another important financial backer was Amos Pinchot, a wealthy lawyer who supported a wide variety of progressive causes. Early members of the team included Art Young, Louis Untermeyer and John Sloan. Organised like a co-operative, artists and writers who contributed to the journal shared in its management.

Art Young later recalled: "I think we have the true religion. If only the crusade would take on more converts. But faith, like the faith they talk about in the churches, is ours and the goal is not unlike theirs, in that we want the same objectives but want it here on earth and not in the sky when we die."

Over the next few years The Masses published articles and poems written by people such as John Reed, Sherwood Anderson, Crystal Eastman, Hubert Harrison, Inez Milholland, Mary Heaton Vorse, Louis Untermeyer, Randolf Bourne, Dorothy Day, Helen Keller, William Walling, Carl Sandburg, Upton Sinclair, Amy Lowell, Mabel Dodge, Floyd Dell and Louise Bryant.

The Masses also published the work of important artists including John Sloan, Robert Henri, Alice Beach Winter, Mary Ellen Sigsbee, Cornelia Barns, Reginald Marsh, Rockwell Kent, Art Young, Boardman Robinson, Robert Minor, Lydia Gibson, K. R. Chamberlain, Stuart Davis, Hugo Gellert, George Bellows and Maurice Becker.

Members of the Masses cooperative believed that the First World War had been caused by the imperialist competitive system. The editor, Max Eastman and journalists such as John Reed who reported the conflict for The Masses, argued that the USA should remain neutral.

After the USA declared war on the Central Powers in 1917, The Masses came under government pressure to change its policy. When it refused to do this, the journal lost its mailing privileges. In July, 1917, it was claimed by the authorities that articles by Floyd Dell and Max Eastman and cartoons by Art Young, Boardman Robinson and Henry J. Glintenkamp had violated the Espionage Act. Under this act it was an offence to publish material that undermined the war effort.

Henry J. Glintenkamp fled the country for Mexico but the others stood trial in April, 1918. Floyd Dell argued in court: "There are some laws that the individual feels he cannot obey, and he will suffer any punishment, even that of death, rather than recognize them as having authority over him. This fundamental stubbornness of the free soul, against which all the powers of the state are helpless, constitutes a conscious objection, whatever its sources may be in political or social opinion." The legal action that followed forced The Masses to cease publication. After three days of deliberation, the jury failed to agree on the guilt of Dell and his fellow defendants.

The second trial was held in January 1919. John Reed, who had recently returned from Russia, was also arrested and charged with the original defendants. Dell wrote in his autobiography, Homecoming (1933): "While we waited, I began to ponder for myself the question which the jury had retired to decide. Were we innocent or guilty? We certainly hadn't conspired to do anything. But what had we tried to do? Defiantly tell the truth. For what purpose? To keep some truth alive in a world full of lies. And what was the good of that? I don't know. But I was glad I had taken part in that act of defiant truth-telling." This time eight of the twelve jurors voted for acquittal. As the First World War was now over, it was decided not to take them to court for a third time. However, this act of censorship had frightened off investors and the Masses was never to appear again.

You can see a collection of cartoons and front-page covers here:

1 comment:

Carl Rollyson said...

It is interesting to see Amy Lowell listed as a contributor to The Masses. She was of course from a conservative and wealthy family. But she had friends on the left like the Untermeyers. I write about them and others in "Amy Lowell Among Her Contemporaries," available from,, and
I'm also writing a biography of Lowell funded by the National Endowment for the Humanities.